Perhaps one of the more salient and obvious references to the Triple Goddess as a phenomenon identifying the Aryan woman becoming Jewess appears in the Matrix series. There we find the female figure Trinity, played by actress Carrie-Ann Moss. This helps us understand the concept of the Triple Goddess.
Here the reference to the number three in the name Trinity is, again, a reference to sexual interaction between Aryan and Jewish figures. Here Neo (Keanu Reeves), whose alias is Thomas Anderson, is a Jew. Naming convention establishes it. The name Thomas is a Jewish identifier as this study explicates, and Anderson means “Son of Man.” This, again, is a Biblical reference used to identify Jews as world inheritors as well as “second born” vis-à-vis Aryans. This will also be explicated.
Trinity, in contrast, represents the Aryan woman becoming Jewess. The “red pill” here, Alt Righters will be pleased to learn, symbolizes unequivocally the Semitic/Aryan admixture. This “color symbolism” is a point that this study explicates. In Matrix Reloaded, Neo and Trinity ceremoniously copulate in the conspicuously named underworld city of Zion. Outside the mating chamber, a torch lit, Bacchanal, sacralized by haunting ethereal music and slow motion photography sets the “Religious” mood. The throng is racially mixed; third world. This, as we will learn, is entirely consistent with the definition of “Zion,” in Jewish symbolism.
At the end of the Matrix series, Trinity will die defending Zion. However, the fate of Neo, a male Jewish Adonis-Christ figure, ostensibly dying as well, is rosier. A coming resurrection is certain. The prophetic figure, the Oracle, when asked if Neo will return, responds “I suspect so. Someday.” Hence Trivia is indicated, esoterically, as expendable, a mere medium through which the Rising and Dying, Jewish “God man” is continued.
The Jewish esotericist Wachowski siblings, working under producer Joel Silver, also reference the Semitic Proserpina. In Matrix Reloaded, Neo will encounter Persephone, the Greek equivalent of Proserpina in “club Hel.” Tellingly, and doubtlessly deliberately, the dark brunet Monica Bellucci is cast in the role, indicating her as a Semitized or Semitic figure. In the film, Neo reluctantly kisses the sexually aggressive Persephone as a condition for her needed assistance. As it turns out, Persephone’s relationship with “the Merovingian” (played by actor Lambert Wilson), an obvious stand in for the Semitic Pluto, is a sexless marriage. Hence she is rejected by two Semitic figures.
Indeed, underlying the Adonis Myth in general, with the Semitic Adonis’ love of the Aryan Venus, appears the notion that the more attractive race of Aryans, in a “multicultural setting” by itself, is rupturing to restless, sexually envious, unsatisfied non-white races, who, in turn, instinctively seek to disrupt Aryan unions. We must assume Semitic polygamy is born first of this racial phenomenon and second as a fossilizing condition of mere individual sexual competition, where Semites or non-whites generally live largely isolated. Incidentally “the Merovingian” is a reference to the esoteric Jewish idea that the ruling nobility of a Frankish Europe were essentially Jewish. This is also explicated in this study.
 The Jewishness of the highly reclusive Wachowski brothers is disputed with some sources indicating they are Jewish and others denying this. For example, they are indicated as Polish-Jews in 2012 on the website of an organization called a “Wider Bridge” founded by the Jew Arthur Slepian. The mission of “Wider Bridge” is to advocate for the equality of “LGBTQ persons” in Israel. Whether their identity as transexuals and the “edginess” of promoting the relatively new phenomenon of transexualism has contributed to the ambiguity of their Jewishness is unclear. However the Matrix series, produced by the powerful Jewish producer Joel Silver whom the Wachowskis had worked with as screenwriters since 1995, evinces a command of JEM, especially with the use of the symbol of Zion and with references to the Triple Goddess through the character of Trinity. The process of making a Hollywood film is especially the process of reviewing details. This was especially the case with Matrix where famously the Wachowskis took the unusual step of submitting a 600 page graphic novel as part of their pitch for the first film. The simpler question has to be asked would symbols as notable as “Zion,” a well-known word closely associated with the Jewish state, and an unmistakable reference to the Biblical concept of Zion, be treated casually by Jewish producers in a Jewish dominated Hollywood? Everyone knows the answer to this. It seems likely the Wachowskis are crypto-Jews. Less likely, though, they are non-Jews whose work has been shaped by a close collaboration with Jews. In this case, we might even suspect their unusual sexual and feminine natures have made them especially pliable apprentices. If this is the case, it is far from the most remarkable case. For example, the black filmmaker Jordan Peele uses symbolism in a similarly sophisticated and distinctly Jewish manner. By hook or crook, the Matrix series is JEM.
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